Die Ölgemälde alles Georges de La Tour

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91959

Alte

1625-1630 Medium oil on canvas cyf

45585

Bauernapaar

mk186 eating peas around 1622-25 Berlin foundation national Museem, Gemaldegalerie

93899

Blind Hurdy-Gurdy Player

1610-1630 Medium oil on canvas cjr

86913

Boy Blowing at Lamp

1640(1640) Medium Oil on canvas cyf

59546

Brawl, Getty Museum

Brawl, Getty Museum (Hurdy-gurdy group)

87581

Bubende Maria Magdalena

Date 1625-1650 Medium Oil on canvas Dimensions 133,4 x 102,2 cm cjr

91570

Bubende Maria Magdalena

1628-1645 Medium oil on canvas Dimensions 113 x 93 cm (44.5 x 36.6 in) cyf

98258

Bubender Hl Hieronymus

1624-1650 Medium oil on canvas Dimensions 157 x 100 cm cyf

93623

Bubender Hl. Hieronymus

1624-1650 Medium oil on canvas Dimensions 157 x 100 cm cjr

57263

Carpenter Saint Joseph

mk255 for in 1642. 1.37 x 1.02 meters canvas. Paris, the Louvre

91797

Das gute Schicksal

1633-1639 Medium oil on canvas cjr

88104

Das Neugeborene

1645-1648 Medium Oil on canvas cjr

91235

Der Falschspieler, mit Karoass

1633 - 1639 Medium oil on canvas cjr

59543

Dice players

Dice players, ca. 1651, probably his last work. Preston Hall Museum in Stockton.

34359

Die Auffindung der Leiche des Hl.Sebastian

mk92 1649 167x130cm Bois Anzeray Pfarrkirche.z.Zt.Broglie.Pfarrkirche

90673

Die Wurfelspieler

1650-1651 Medium oil on canvas cjr

91875

Die Wurfelspieler

1650-1651 Medium oil on canvas Dimensions 92,2 X 130,5 cm cjr

94819

Fortune Teller

1630 Type Oil painting Dimensions 101.9 cm x 123.5 cm cyf

89994

Frau mit dem Floh

1625-1650 Medium oil on canvas cjr

67432

Georges de La Tour

Technique Deutsch: Öl auf Leinwand Dimensions 61 X 51 cm (24.02 X 20.08 in)

34360

Gilles

mk92 1721 184x149cm Paris. Louvre

92689

Hl. Jacobus der Jungere

1624-1650 Medium oil on canvas Dimensions 66 X 54 cm (26 X 21.3 in) cjr

92617

Hl. Philippus

1624-1650 Medium oil on canvas Dimensions Deutsch: 63 X 52 cm cjr

59533

Hurdy gurdy player

Hurdy-gurdy player, Nantes. By "the Hurdy-gurdy" master?

33594

Hurdy-Gurdy Player

mk86 c.1620-1630 Oil on canvas 162x105cm Nantes,Musee des Beaux-Arts

21563

Hurdy-Gurdy Player (mk08)

c.1620-1630 Oil on canvas,162x105cm Nantes,Musee des Beaux-Arts

39411

Ijob will mock of its woman

mk148 Illustration von Ijob 2,9-10.In der Bibel wird Ijobs frau nicht Namentlich erwähnt,In der Bibel wird Ijobs Frau nicht namentlich erwähnt,nach dem Testament Ijobs heißt sie Sitis

71095

jeune chanteur

mk289 1640-1650 leicester museum and art gallery

2357

Joseph the Carpenter

1645 Musee du Louvre, Paris

70921

Knabe blast in eine Lampe

Medium Oil on canvas Dimensions 61 x 51 cm

92313

Magdalena Wrightsman

1625-1650 Medium oil on canvas Dimensions 133,4 X 102,2 cm cyf

40464

Magdalene of the Night Light

mk156 1642-44 Oil on canvas 128x94cm

59535

Nativity, Louvre

Nativity, Louvre

92316

Petrus

1645(1645) Medium oil on canvas Dimensions 114 X 95 cm cyf

59545

Portrait of an Old Man,

Portrait of an Old Man, De Young Museum, San Francisco

84710

Saint Sebastian Tended by Irene

early 1630s Medium Oil on canvas cyf

87188

Schlagerei der Musikanten

Date 1625-1630 Medium Oil on canvas cjr

76004

Schlagerei der Musikanten,

1625 - 1630 Oil on canvas cjr

59547

St Jerome

St Jerome (Hurdy-gurdy group)

59548

St Jerome

St Jerome (Hurdy-gurdy group)

59532

St Joseph

St Joseph, 1642, Louvre

33596

St Sebastian Attended by St Irene

mk86 c.1634-1643 Oil on canvas 160x129cm Berlin,Gemaldegalerie

21569

St Sebastian Attended by St Irene (mk08)

c.1634-1643 Oil on canvas 160x129cm Berlin,Gemaldegalerie

59538

St Sebastian tended by St Irene

St Sebastian tended by St Irene

20562

St Sebastian Tended by St Irene (mk05)

Canvas,66 x 51 1/2''(167 x 131 cm)Given in 1979

2358

St.Irene Removing Arrows from St.Sebastian's Leg

56065

st.joseph the carpenter

mk247 1635 to 40,oil on canvas,54x40 in,137x101 cm,louvre,paris,france

42038

The adoracion of the shepherds

mk166 First half of the 17th century. I wave on cloth 107x131cm Museum of the Louvre, Paris

90202

The Adoration of the Shepherds

c. 1644(1644) Medium oil on canvas Dimensions 107 x 137 cm (42.1 x 53.9 in) cjr

20564

The Adoration of the Shepherds (mk05)

Canvas,42 1/4 x 51 1/2''(107 x 131 cm)Acquired in 1926

39455

The apostle Thomas

mk148 The apostle holds became a javelin in the Handder legend after it in its martyr death of javelins durchbohrt (s. head text)

53832

The botfardiga Maria Magdalena

mk234 about 1635 113x93cm

40445

The Card-Sharp with the Ace of Diamonds

mk156 1635 Oil on canvas 106x146cm

33595

The Card-Sharp with the Ace of Spades

mk86 c.1620-1640 Oil on canvas 106x146cm Paris,Musee National du Louvre

21567

The Card-Sharp with the Ace of Spades (mk08)

c.1620-1640 Oil on canvas, 106x146cm Paris,Musee National du Louvre

2354

The Cheat with the Ace of Clubs

c1647 Kimbell Art Museum, Fort Worth 38-1/2 x 61-1/2 in. (97.8 x 156.2 cm )

2355

The Cheat with the Ace of Diamonds

c1647 Musee du Louvre, Paris 41.75" x 57.5"

59540

The cheat with the ace of diamonds

The cheat with the ace of diamonds, Kimbell Art Museum, Fort Worth, Texas. Another version is in the Louvre

86545

The Cheat with the Ace of Diamonds

Oil on canvas, ca. 1635. cyf

59542

The Dream of St. Joseph

The Dream of St. Joseph

38215

The Education of the Virgin

mk29 c.1650 Oil on canvas 83.8x100.4cm

2356

The Fortune Teller

1632-35 Metropolitan Museum of Art, New York 102 x 123.5cm / 40.15" x48.62"

41289

The Fortune Teller

mk161 Oil on canvas

56062

the fortune teller

mk247 c.1632 to 35,oil on canvas,40x49 in,102x123.5 cm,metropolitan museum of art,new york,ny,usa

59536

The Fortune Teller

The Fortune Teller

45653

The incorrect player

mk186 1620-40 Paris muse you Louvre

96131

The New born

1640s Medium oil on canvas cyf

59541

The Newborn Christ

The Newborn Christ

2353

The Penitent Magdalen

1640 Metropolitan Museum of Art, New York

59539

The Penitent Magdalene, Metropolitan

The Penitent Magdalene, Metropolitan

2359

The Repentant Magdalen

1635 National Gallery of Art, Washington DC

40465

Young Christ with St.Joseph in the Capenter-s shop

mk156 c.1642 Oil on canvas 137x101cm

Georges de La Tour

1593-1652 French Georges de La Tour Galleries His early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats??as in The Fortune Teller ??and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career. La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness ?? taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did. He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin, in the Frick Collection in New York is an example, as the Museum itself admits. Another group of paintings (example left), of great skill but claimed to be different in style to those of de La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints. After his death in 1652, La Tour's work was largely forgotten until rediscovered by Hermann Voss, a German scholar, in 1915. In 1935 an exhibition in Paris began the revival in interest among a wider public. In the twentieth century a number of his works were identified once more, and forgers tried to help meet the new demand; many aspects of his œuvre remain controversial among art historians.

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